Warning (2): count(): Parameter must be an array or an object that implements Countable [APP/Controller/Component/HistoryComponent.php, line 53]
Code Context
        //count($params['url']) ? $url = '/'.$params['url']['url'] : $url = '/'; 
        
        if(count($this->data) == STUDIOSIPAK_MAX_HISTORY) { 
$params = object(CakeRequest) {
	params => array(
		'plugin' => null,
		'controller' => 'pages',
		'action' => 'showMethodolog',
		'named' => array([maximum depth reached]),
		'pass' => array(
			[maximum depth reached]
		),
		'language' => 'fre',
		'isAjax' => false
	)
	data => array()
	query => array()
	url => 'fre/matieres-et-techniques/feather'
	base => ''
	webroot => '/'
	here => '/fre/matieres-et-techniques/feather'
	[protected] _detectors => array(
		'get' => array(
			[maximum depth reached]
		),
		'patch' => array(
			[maximum depth reached]
		),
		'post' => array(
			[maximum depth reached]
		),
		'put' => array(
			[maximum depth reached]
		),
		'delete' => array(
			[maximum depth reached]
		),
		'head' => array(
			[maximum depth reached]
		),
		'options' => array(
			[maximum depth reached]
		),
		'ssl' => array(
			[maximum depth reached]
		),
		'ajax' => array(
			[maximum depth reached]
		),
		'flash' => array(
			[maximum depth reached]
		),
		'mobile' => array(
			[maximum depth reached]
		),
		'requested' => array(
			[maximum depth reached]
		),
		'json' => array(
			[maximum depth reached]
		),
		'xml' => array(
			[maximum depth reached]
		)
	)
	[protected] _input => ''
}
$value = '/fre/matieres-et-techniques/feather'
$key = 'here'
$url = '/fre/matieres-et-techniques/feather'
HistoryComponent::_addUrl() - APP/Controller/Component/HistoryComponent.php, line 53
HistoryComponent::startup() - APP/Controller/Component/HistoryComponent.php, line 22
ObjectCollection::trigger() - CORE/Cake/Utility/ObjectCollection.php, line 129
CakeEventManager::dispatch() - CORE/Cake/Event/CakeEventManager.php, line 244
Controller::startupProcess() - CORE/Cake/Controller/Controller.php, line 683
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 189
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type bool [APP/Controller/PagesController.php, line 233]
Code Context

        $element = array(
            'title'         => $page['Page']['title'],
$slug = 'feather'
$index_page = false
$page = false
$element = array(
	'title' => 'Matières & Techniques',
	'alias' => 'methodology_home',
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
)
PagesController::showMethodolog() - APP/Controller/PagesController.php, line 233
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type null [APP/Controller/PagesController.php, line 233]
Code Context

        $element = array(
            'title'         => $page['Page']['title'],
$slug = 'feather'
$index_page = false
$page = false
$element = array(
	'title' => 'Matières & Techniques',
	'alias' => 'methodology_home',
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
)
PagesController::showMethodolog() - APP/Controller/PagesController.php, line 233
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type bool [APP/Controller/PagesController.php, line 234]
Code Context
        $element = array(
            'title'         => $page['Page']['title'],
            'alias'         => $page['Page']['alias'],
$slug = 'feather'
$index_page = false
$page = false
$element = array(
	'title' => 'Matières & Techniques',
	'alias' => 'methodology_home',
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
)
PagesController::showMethodolog() - APP/Controller/PagesController.php, line 234
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type null [APP/Controller/PagesController.php, line 234]
Code Context
        $element = array(
            'title'         => $page['Page']['title'],
            'alias'         => $page['Page']['alias'],
$slug = 'feather'
$index_page = false
$page = false
$element = array(
	'title' => 'Matières & Techniques',
	'alias' => 'methodology_home',
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
)
PagesController::showMethodolog() - APP/Controller/PagesController.php, line 234
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type bool [APP/Controller/PagesController.php, line 235]
Code Context
            'title'         => $page['Page']['title'],
            'alias'         => $page['Page']['alias'],
            'link'             => Router::url(array('controller' => 'pages', 'action' => 'showMethodolog', 'language' => Configure::read('Config.language'), $page['Page']['slug']), true),
$slug = 'feather'
$index_page = false
$page = false
$element = array(
	'title' => 'Matières & Techniques',
	'alias' => 'methodology_home',
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
)
PagesController::showMethodolog() - APP/Controller/PagesController.php, line 235
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type null [APP/Controller/PagesController.php, line 235]
Code Context
            'title'         => $page['Page']['title'],
            'alias'         => $page['Page']['alias'],
            'link'             => Router::url(array('controller' => 'pages', 'action' => 'showMethodolog', 'language' => Configure::read('Config.language'), $page['Page']['slug']), true),
$slug = 'feather'
$index_page = false
$page = false
$element = array(
	'title' => 'Matières & Techniques',
	'alias' => 'methodology_home',
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
)
PagesController::showMethodolog() - APP/Controller/PagesController.php, line 235
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type bool [APP/Controller/PagesController.php, line 277]
Code Context
            $this->set('robots_for_layout', $meta['Metadata']['robot']);
        }else {
            $this->set('title_for_layout', $page['Page']['title']);
$slug = 'feather'
$index_page = false
$page = false
$element = array(
	'title' => null,
	'alias' => null,
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
)
$pages_icon = array(
	(int) 0 => array(
		'Page' => array(
			'id' => '27',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '1167',
			'created' => '2012-10-05 12:07:51',
			'modified' => '2013-02-19 10:56:09',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Coral',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Coral is a primitive animal, close to the family of jelly that feeds on plankton. The coral grows several mm to several cm per year depending on the species. If some are solitary, most corals grows in an ecosystem called coral colonies. Oldest coral reefs back about 500 million years ago. As colonies, their longevity far exceeds that of quahog clams that can live more than 400 years.</p>
<p style="text-align: justify;">Even though there are many opposite example, corals generally grow in shallow warm seas. Thez indeed need oxygen and light to accomplish photosynthesis, and often stay in area where the sun's rays reach them easily.</p>
<p style="text-align: justify;">There are over 7000 species in very diverse forms and colours. I use the Black Coral, which feels like wood and is very light, Foam Coral, which is much less compact, like the fossilized coral stone by its density. I also use the classic red coral and the beautiful Mediterranean Coral, Example on the picture.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/08/le-corail/" target="_blank">More Details</a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'coral',
			'thumb' => 'uploads/pages/CORAIL.jpg',
			'thumbf' => 'uploads/pages/CORAIL_%dx%d.jpg',
			'locale' => 'eng',
			'title' => 'Coral',
			'content' => '<p style="text-align: justify;">Coral is a primitive animal, close to the family of jelly that feeds on plankton. The coral grows several mm to several cm per year depending on the species. If some are solitary, most corals grows in an ecosystem called coral colonies. Oldest coral reefs back about 500 million years ago. As colonies, their longevity far exceeds that of quahog clams that can live more than 400 years.</p>
<p style="text-align: justify;">Even though there are many opposite example, corals generally grow in shallow warm seas. Thez indeed need oxygen and light to accomplish photosynthesis, and often stay in area where the sun's rays reach them easily.</p>
<p style="text-align: justify;">There are over 7000 species in very diverse forms and colours. I use the Black Coral, which feels like wood and is very light, Foam Coral, which is much less compact, like the fossilized coral stone by its density. I also use the classic red coral and the beautiful Mediterranean Coral, Example on the picture.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/08/le-corail/" target="_blank">More Details</a></p>',
			'slug' => 'coral'
		),
		'Thumb' => array(
			'id' => '1167',
			'ref' => 'Page',
			'ref_id' => '27',
			'file' => 'uploads/pages/CORAIL.jpg',
			'position' => '0',
			'filef' => 'uploads/pages/CORAIL_%dx%d.jpg'
		),
		'Media' => array(
			(int) 1167 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 1 => array(
		'Page' => array(
			'id' => '32',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-11-02 01:08:29',
			'modified' => '2013-02-10 22:32:39',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Crochet',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Crochet is a weaving technique that is normally done with cotton or linen or any other natural fibbers. I learned about it on Portugal beaches, when my mother tried to teach me patience. I admit that I have never ended the top i had imagined, probably taken by other concerns. But the technique has remained.</p>
<p style="text-align: justify;">I called this new collection Interlace, as the movement of the wire. The mesh is made of non-tarnishing silver and gold plated. While I make the mesh with a specific hook, I incorporate small river pearls, black for the night collection, and white for the sunrise.</p>
<p style="text-align: justify;">Laces are made of a thin double mesh. The clasp is a large cultured pearl that slides in a loop stitch. The cuff are accumulation of simple laces, gathered around a large bead or stone. The rings are laces, hooked on themselves. They are all size, as the mesh easily adjust your finger.</p>
<p style="text-align: justify;">Do not hesitate to mix them together to create short necklace, put them in your hair or use it as a chain for an heavy pendant.</p>
<p style="text-align: justify;">Click&nbsp;<a href="../../../eng/contact" target="_blank"><strong>here</strong></a> to order a lace of the length of your choice.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'crochet',
			'locale' => 'eng',
			'title' => 'Crochet',
			'content' => '<p style="text-align: justify;">Crochet is a weaving technique that is normally done with cotton or linen or any other natural fibbers. I learned about it on Portugal beaches, when my mother tried to teach me patience. I admit that I have never ended the top i had imagined, probably taken by other concerns. But the technique has remained.</p>
<p style="text-align: justify;">I called this new collection Interlace, as the movement of the wire. The mesh is made of non-tarnishing silver and gold plated. While I make the mesh with a specific hook, I incorporate small river pearls, black for the night collection, and white for the sunrise.</p>
<p style="text-align: justify;">Laces are made of a thin double mesh. The clasp is a large cultured pearl that slides in a loop stitch. The cuff are accumulation of simple laces, gathered around a large bead or stone. The rings are laces, hooked on themselves. They are all size, as the mesh easily adjust your finger.</p>
<p style="text-align: justify;">Do not hesitate to mix them together to create short necklace, put them in your hair or use it as a chain for an heavy pendant.</p>
<p style="text-align: justify;">Click&nbsp;<a href="../../../eng/contact" target="_blank"><strong>here</strong></a> to order a lace of the length of your choice.</p>',
			'slug' => 'crochet'
		),
		'Thumb' => array(
			'id' => null,
			'ref' => null,
			'ref_id' => null,
			'file' => null,
			'position' => null
		),
		'Media' => array(
			(int) 1168 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 2 => array(
		'Page' => array(
			'id' => '33',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-11-02 22:26:50',
			'modified' => '2013-02-15 10:28:33',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Enamel',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Enamel is a wonderful technique that allows all the follies of shapes and colours. I learnt it for 2 years with the Art Workshop of Paris, and I practice it from the very beginning of my collections.</p>
<p style="text-align: justify;">The enamel is glass reduced in powder molten on a metal base. Glass is a fragile material but ally to metal it is very durable. To handle the volatile glass powder, it is mixed with water, which allow to put colours next to each other without getting mix.</p>
<p style="text-align: justify;">The enamel melt, depending of its colours, between 700&deg; and 900&deg;C, so it is customary to cook one colour after the other, according to their degrees of fusion. But as piece is cooked to many time, the metal runs out. Especially when the piece is small. I usually prefer to calculate an average temperature, which develops sometime some interesting texture effects, such as with a little under cooked, the enamel will have a rougher surface</p>
<p style="text-align: justify;">The metal can be copper, silver or gold. Copper is the metal that I use more easily, but the enamel on silver gives some intense blue-green tones, like water, and it seems that gold gives wonderful red. I sometimes incorporate silver leaf under transparent enamel, that makes the light and the reflection even brighter. Soon, I'll try the gold leaf.</p>
<p style="text-align: justify;">The shapes are cut with a saw in a thin metal plate of less than 1mm. I get the "trait" everywhere around, a newspaper or a 18th century compilation of silhouettes. Sometimes I hammer the pieces before enamelling, sometimes I prefer to keep the stiffness of the metal.</p>
<p style="text-align: justify;">There are two kinds of enamel : opaque colours, very fifties and transparent colours with a wider range of pastel. I mostly use opaque colours, maybe also because the transparent colours has to be placed on a specific enamel, which multiple manipulations.</p>
<p style="text-align: justify;">Compared to ceramic, cooking is extremely fast. Once the oven is hot, beautifully red, I put the piece in the oven. It stays for around 1 minute and comes out bright red for a few second. To prevent the glass to merge with the oven, I have to suspend the piece on a metal supports, sometimes leaving traces behind, called "marks of the kiln".</p>
<p style="text-align: justify;">Although it is usual to lay the enamel very thin, I like to put it in a thick layer, which increases the opaque colours and brings relief. Also some piece have a back slightly darker or much lighter. If this is not specified in the description of the jewel, it is that both sides are relatively equal.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'enamel',
			'locale' => 'eng',
			'title' => 'Enamel',
			'content' => '<p style="text-align: justify;">Enamel is a wonderful technique that allows all the follies of shapes and colours. I learnt it for 2 years with the Art Workshop of Paris, and I practice it from the very beginning of my collections.</p>
<p style="text-align: justify;">The enamel is glass reduced in powder molten on a metal base. Glass is a fragile material but ally to metal it is very durable. To handle the volatile glass powder, it is mixed with water, which allow to put colours next to each other without getting mix.</p>
<p style="text-align: justify;">The enamel melt, depending of its colours, between 700&deg; and 900&deg;C, so it is customary to cook one colour after the other, according to their degrees of fusion. But as piece is cooked to many time, the metal runs out. Especially when the piece is small. I usually prefer to calculate an average temperature, which develops sometime some interesting texture effects, such as with a little under cooked, the enamel will have a rougher surface</p>
<p style="text-align: justify;">The metal can be copper, silver or gold. Copper is the metal that I use more easily, but the enamel on silver gives some intense blue-green tones, like water, and it seems that gold gives wonderful red. I sometimes incorporate silver leaf under transparent enamel, that makes the light and the reflection even brighter. Soon, I'll try the gold leaf.</p>
<p style="text-align: justify;">The shapes are cut with a saw in a thin metal plate of less than 1mm. I get the "trait" everywhere around, a newspaper or a 18th century compilation of silhouettes. Sometimes I hammer the pieces before enamelling, sometimes I prefer to keep the stiffness of the metal.</p>
<p style="text-align: justify;">There are two kinds of enamel : opaque colours, very fifties and transparent colours with a wider range of pastel. I mostly use opaque colours, maybe also because the transparent colours has to be placed on a specific enamel, which multiple manipulations.</p>
<p style="text-align: justify;">Compared to ceramic, cooking is extremely fast. Once the oven is hot, beautifully red, I put the piece in the oven. It stays for around 1 minute and comes out bright red for a few second. To prevent the glass to merge with the oven, I have to suspend the piece on a metal supports, sometimes leaving traces behind, called "marks of the kiln".</p>
<p style="text-align: justify;">Although it is usual to lay the enamel very thin, I like to put it in a thick layer, which increases the opaque colours and brings relief. Also some piece have a back slightly darker or much lighter. If this is not specified in the description of the jewel, it is that both sides are relatively equal.</p>',
			'slug' => 'enamel'
		),
		'Thumb' => array(
			'id' => null,
			'ref' => null,
			'ref_id' => null,
			'file' => null,
			'position' => null
		),
		'Media' => array(
			(int) 1159 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 3 => array(
		'Page' => array(
			'id' => '34',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '2560',
			'created' => '2013-07-20 16:43:34',
			'modified' => '2013-07-20 16:57:57',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Feathers',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Feathers, all natural, are often dyed in flashy colours, but the shade of natural colour is very appeling also. I like to buy them in mixed lots, the whole art of this collection is to select the prettiest feathers, and to match them together by size, color or volume.<br /><br />The setting is very simple, the tip of the feather is warp tightly with a gold-plated wire, creating a small filletit that ends with a loop. I then hang the feather on a gold plated pierced hook, also available on request for non-pierced ears.<br /><br />Other styles of earrings, bracelets and necklaces are more sophisticated: mounted on sterling silver or vermeil (gold plated sterling silver) these feathers are highlighted by a rich setting with stones or pearls. For a night out !</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'feathers',
			'locale' => 'eng',
			'title' => 'Feathers',
			'content' => '<p style="text-align: justify;">Feathers, all natural, are often dyed in flashy colours, but the shade of natural colour is very appeling also. I like to buy them in mixed lots, the whole art of this collection is to select the prettiest feathers, and to match them together by size, color or volume.<br /><br />The setting is very simple, the tip of the feather is warp tightly with a gold-plated wire, creating a small filletit that ends with a loop. I then hang the feather on a gold plated pierced hook, also available on request for non-pierced ears.<br /><br />Other styles of earrings, bracelets and necklaces are more sophisticated: mounted on sterling silver or vermeil (gold plated sterling silver) these feathers are highlighted by a rich setting with stones or pearls. For a night out !</p>',
			'slug' => 'feathers'
		),
		'Thumb' => array(
			'id' => null,
			'ref' => null,
			'ref_id' => null,
			'file' => null,
			'position' => null
		),
		'Media' => array(
			(int) 2561 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 4 => array(
		'Page' => array(
			'id' => '21',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:17:49',
			'modified' => '2013-02-19 10:59:17',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Golden Leaf',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Gilding is a technique that my mother taught me when she created her collection for <a href="http://www.siecle-paris.com/listproduct-DECOUPAGE-all-0-1.html" target="_blank"><strong>Si&egrave;cle</strong></a>. I quickly liked to used this technique, at first only in addition to the enamel. This allowed me to add some finishing touches.</p>
<p style="text-align: justify;">When I was in Berlin, I discovered the Egyptians Jewellery Collections of the Pergamon Museum. And obviously fell in love with everyone of them. But went back to Paris without any ! I decided to re-imagine some.</p>
<p style="text-align: justify;">I cut strips of copper of different lengths and thickness that i fold, entangled, giving them a 3D shape , or turning them into origami. Then I cover the copper with extra thin sheet of silver, gold plated, or, soon gold 24ct.</p>
<p style="text-align: justify;">To secure the gold/silver leaves on the copper, i use a specific product, and then oil varnish to stop the oxidation of the silver and gold plated leaves. Without anything else for the gold.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'golden-leaf',
			'locale' => 'eng',
			'title' => 'Golden Leaf',
			'content' => '<p style="text-align: justify;">Gilding is a technique that my mother taught me when she created her collection for <a href="http://www.siecle-paris.com/listproduct-DECOUPAGE-all-0-1.html" target="_blank"><strong>Si&egrave;cle</strong></a>. I quickly liked to used this technique, at first only in addition to the enamel. This allowed me to add some finishing touches.</p>
<p style="text-align: justify;">When I was in Berlin, I discovered the Egyptians Jewellery Collections of the Pergamon Museum. And obviously fell in love with everyone of them. But went back to Paris without any ! I decided to re-imagine some.</p>
<p style="text-align: justify;">I cut strips of copper of different lengths and thickness that i fold, entangled, giving them a 3D shape , or turning them into origami. Then I cover the copper with extra thin sheet of silver, gold plated, or, soon gold 24ct.</p>
<p style="text-align: justify;">To secure the gold/silver leaves on the copper, i use a specific product, and then oil varnish to stop the oxidation of the silver and gold plated leaves. Without anything else for the gold.</p>',
			'slug' => 'golden-leaf'
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		'Page' => array(
			'id' => '28',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-10-05 12:20:14',
			'modified' => '2013-02-10 22:45:47',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Lapis Lazuli',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Lapis-Lazuli is a rock composed of several varieties of minerals in different proportions. Its colour is determined by the abundance of each of theses minerals in the rock fragment. There are Lazurite and Azurite for the colour ultramarine blue. Sodalite brings more of a blue-violet. The Ha&iuml;yne gives a touch of translucent blue ocean. And the calcite gives the stones its white veining.</p>
<p style="text-align: justify;">Another character of Lapis-Lazuli is to contain pyrite inclusions. Pyrite is a mineral species but made of sulfide iron, giving his famous golden sparks to the Lapis.</p>
<p style="text-align: justify;">Its use dates back to at least 7000 years. In ancient Egypt, Lapis was one of the favourite ornamental stones, including carving scarabs. The stone was also reduced in powder ; we then drank it as an aphrodisiac "potion" during the Roman era. Or mixed with milk in the Middle&nbsp; Ages, Lapis-Lazuli would warn the spirit of fear, doubt and envy.</p>
<p style="text-align: justify;">As a powder, Lapis-Lazuli was also used as a pigment for tempera painting, to paint the sky ceiling of the Sistine Chapel for a nice example. This practice ceased in the early nineteenth century by the introduction of synthetic pigments, sometimes called French Ultramarine.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">More Details</a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'lapis-lazuli',
			'locale' => 'eng',
			'title' => 'Lapis Lazuli',
			'content' => '<p style="text-align: justify;">Lapis-Lazuli is a rock composed of several varieties of minerals in different proportions. Its colour is determined by the abundance of each of theses minerals in the rock fragment. There are Lazurite and Azurite for the colour ultramarine blue. Sodalite brings more of a blue-violet. The Ha&iuml;yne gives a touch of translucent blue ocean. And the calcite gives the stones its white veining.</p>
<p style="text-align: justify;">Another character of Lapis-Lazuli is to contain pyrite inclusions. Pyrite is a mineral species but made of sulfide iron, giving his famous golden sparks to the Lapis.</p>
<p style="text-align: justify;">Its use dates back to at least 7000 years. In ancient Egypt, Lapis was one of the favourite ornamental stones, including carving scarabs. The stone was also reduced in powder ; we then drank it as an aphrodisiac "potion" during the Roman era. Or mixed with milk in the Middle&nbsp; Ages, Lapis-Lazuli would warn the spirit of fear, doubt and envy.</p>
<p style="text-align: justify;">As a powder, Lapis-Lazuli was also used as a pigment for tempera painting, to paint the sky ceiling of the Sistine Chapel for a nice example. This practice ceased in the early nineteenth century by the introduction of synthetic pigments, sometimes called French Ultramarine.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">More Details</a></p>',
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		'Page' => array(
			'id' => '22',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:31:45',
			'modified' => '2013-02-12 08:21:44',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Pearls',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Pearls are formed inside the shell of an oyster when a grain of sand (or any other structure) fits into the tissue of the oyster. The oyster is disturbed by this "irritant" and because it want to eject it easily, it secretes gradually layers of what it produce : mother of pearl. But with the only goal, that the irritant get big enough to spilt it back to the ocean.</p>
<p style="text-align: justify;">Thez say you can open 5000 oysters before finding a natural pearl.</p>
<p style="text-align: justify;">It is not surprising that the culture of pearl was quickly developed. Man helps them grow in farms managed by pearl farmers. Thez stimulate the creation of a pearl by inserting a core irritant by an almost surgical operation.</p>
<p style="text-align: justify;">It really began in the late 19th century in Japan, mainly with the researcher Kokichi Mikimoto. While his technique has enable the production of large quantities of pearls, it also helped to control the diameter of the pearl, determined by the size of the core he inserted into the tissues of the oyster.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/09/10/les-perles/" target="_blank"><strong>More Details</strong></a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'pearls',
			'locale' => 'eng',
			'title' => 'Pearls',
			'content' => '<p style="text-align: justify;">Pearls are formed inside the shell of an oyster when a grain of sand (or any other structure) fits into the tissue of the oyster. The oyster is disturbed by this "irritant" and because it want to eject it easily, it secretes gradually layers of what it produce : mother of pearl. But with the only goal, that the irritant get big enough to spilt it back to the ocean.</p>
<p style="text-align: justify;">Thez say you can open 5000 oysters before finding a natural pearl.</p>
<p style="text-align: justify;">It is not surprising that the culture of pearl was quickly developed. Man helps them grow in farms managed by pearl farmers. Thez stimulate the creation of a pearl by inserting a core irritant by an almost surgical operation.</p>
<p style="text-align: justify;">It really began in the late 19th century in Japan, mainly with the researcher Kokichi Mikimoto. While his technique has enable the production of large quantities of pearls, it also helped to control the diameter of the pearl, determined by the size of the core he inserted into the tissues of the oyster.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/09/10/les-perles/" target="_blank"><strong>More Details</strong></a></p>',
			'slug' => 'pearls'
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		'Page' => array(
			'id' => '26',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-10-05 11:33:28',
			'modified' => '2013-03-25 13:30:16',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Resin',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">The rings and earrings bases are in silver or gold plated on free nickel metal. Small skits are made with plastic figures molded and hand painted. </p>
<p style="text-align: justify;">Thez are made for doll houses and characters and animals comes from train models. I often find them randomly, in sales and merchants : if a model pleases you, do no hesitate too long, it is unlikely that there will be another identical in the future.</p>
<p style="text-align: justify;">Small items are then linked together in a inexhaustible resin, sometimes on a sand base, or with leaves or pebbles. On other model i first tinted resin and then put figures "en sc&egrave;ne".</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'resin',
			'locale' => 'eng',
			'title' => 'Resin',
			'content' => '<p style="text-align: justify;">The rings and earrings bases are in silver or gold plated on free nickel metal. Small skits are made with plastic figures molded and hand painted. </p>
<p style="text-align: justify;">Thez are made for doll houses and characters and animals comes from train models. I often find them randomly, in sales and merchants : if a model pleases you, do no hesitate too long, it is unlikely that there will be another identical in the future.</p>
<p style="text-align: justify;">Small items are then linked together in a inexhaustible resin, sometimes on a sand base, or with leaves or pebbles. On other model i first tinted resin and then put figures "en sc&egrave;ne".</p>',
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		'Page' => array(
			'id' => '23',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:40:36',
			'modified' => '2013-02-12 08:17:35',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Shells',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Traditionally, we distinguishes three types of shells : the univalve (one part), bivalves (two) and mutlivalves (several). The shell is born with its shell which grows along the animal. The mollusc shell is composed of calcium carbonate and organic matter secreted by the body.</p>
<p style="text-align: justify;">On my last trip to Bangkok I fell in love with a small shop of exotic (obviously) shells with perfect shapes and colours. I've instantly saw them hanging on my ears.</p>
<p style="text-align: justify;">This collection is only setted with black stones to highlight the subtle range of colours of the pearls. The wire that binds the stones together and the hook of the earring are made of <strong><a href="../../../eng/matieres-et-techniques/le-montage" target="_self">gunmetal</a></strong>.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'shells',
			'locale' => 'eng',
			'title' => 'Shells',
			'content' => '<p style="text-align: justify;">Traditionally, we distinguishes three types of shells : the univalve (one part), bivalves (two) and mutlivalves (several). The shell is born with its shell which grows along the animal. The mollusc shell is composed of calcium carbonate and organic matter secreted by the body.</p>
<p style="text-align: justify;">On my last trip to Bangkok I fell in love with a small shop of exotic (obviously) shells with perfect shapes and colours. I've instantly saw them hanging on my ears.</p>
<p style="text-align: justify;">This collection is only setted with black stones to highlight the subtle range of colours of the pearls. The wire that binds the stones together and the hook of the earring are made of <strong><a href="../../../eng/matieres-et-techniques/le-montage" target="_self">gunmetal</a></strong>.</p>',
			'slug' => 'shells'
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	(int) 9 => array(
		'Page' => array(
			'id' => '19',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '769',
			'created' => '2012-09-06 12:10:45',
			'modified' => '2013-02-19 11:06:12',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Stones',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">I have been fascinated by gemstone ever since I studied at the National Institute of Gemmology in Paris. First because I love their colours and because they cover the whole rainbow range, from transparent to opaque. Men can try all they want I don't see how we could ever reproduce the different spark of each natural stone.</p>
<p style="text-align: justify;">The other endearing point about gems is that you can trace part of its life just by looking through it. The crystals grow very slowly, and like us, sometimes the external elements disturb their cycle, as an earthquake create some gaping holes in the stone. Other inclusions adorn the stone advantage, such as the famous butterfly wing of the emerald that looks like an organized heap of dewdrops.</p>
<p style="text-align: justify;">Also when it grows, it absorb elements around, that we can identify after the stone is cut, and trace back when it came from.</p>
<p style="text-align: justify;">All the stones I use in my jewellery are natural stones. I use a very large variety of stones. I buy some on famous market in Thailand every two years and find other on Bijorhca Fair in Paris. Some stones are more difficult to find, especially the raw stones, but nowadays, with enough research&nbsp; and an internet connection, you can find everything !</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'stones',
			'locale' => 'eng',
			'title' => 'Stones',
			'content' => '<p style="text-align: justify;">I have been fascinated by gemstone ever since I studied at the National Institute of Gemmology in Paris. First because I love their colours and because they cover the whole rainbow range, from transparent to opaque. Men can try all they want I don't see how we could ever reproduce the different spark of each natural stone.</p>
<p style="text-align: justify;">The other endearing point about gems is that you can trace part of its life just by looking through it. The crystals grow very slowly, and like us, sometimes the external elements disturb their cycle, as an earthquake create some gaping holes in the stone. Other inclusions adorn the stone advantage, such as the famous butterfly wing of the emerald that looks like an organized heap of dewdrops.</p>
<p style="text-align: justify;">Also when it grows, it absorb elements around, that we can identify after the stone is cut, and trace back when it came from.</p>
<p style="text-align: justify;">All the stones I use in my jewellery are natural stones. I use a very large variety of stones. I buy some on famous market in Thailand every two years and find other on Bijorhca Fair in Paris. Some stones are more difficult to find, especially the raw stones, but nowadays, with enough research&nbsp; and an internet connection, you can find everything !</p>',
			'slug' => 'stones'
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	(int) 10 => array(
		'Page' => array(
			'id' => '29',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-10-05 12:26:04',
			'modified' => '2013-02-10 22:40:35',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Turquoise',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Turquoise has always been considered a stone of life and good fortune, with even healing properties. This opaque stone belong to the Feldspaths class, such as <a href="http://www.salomeosorio.com/admin/pages/editMethodology/" target="_self"><strong>Lapis-Lazuli</strong></a> ad Labradorite. It is composed of iron, copper, aluminium, phosphorous, hydrogen and oxygen. Turquoise absorb minerals that surrounds her, the blue colour comes from the copper, and iron oxide reacts by providing sometime a green tone, and also those black (can also be red) cracks drawing&nbsp; a kind a spider web.</p>
<p style="text-align: justify;">According to the Aztec, the Turquoise was directly associated with the sun. For the American Indians it was essential to the magic of wizards. Turquoise encourages also freedom of action and individual creativity.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">Plus de Details</a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'turquoise',
			'locale' => 'eng',
			'title' => 'Turquoise',
			'content' => '<p style="text-align: justify;">Turquoise has always been considered a stone of life and good fortune, with even healing properties. This opaque stone belong to the Feldspaths class, such as <a href="http://www.salomeosorio.com/admin/pages/editMethodology/" target="_self"><strong>Lapis-Lazuli</strong></a> ad Labradorite. It is composed of iron, copper, aluminium, phosphorous, hydrogen and oxygen. Turquoise absorb minerals that surrounds her, the blue colour comes from the copper, and iron oxide reacts by providing sometime a green tone, and also those black (can also be red) cracks drawing&nbsp; a kind a spider web.</p>
<p style="text-align: justify;">According to the Aztec, the Turquoise was directly associated with the sun. For the American Indians it was essential to the magic of wizards. Turquoise encourages also freedom of action and individual creativity.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">Plus de Details</a></p>',
			'slug' => 'turquoise'
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		'Page' => array(
			'id' => '20',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:13:51',
			'modified' => '2013-02-12 10:58:00',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Unpolished Stones',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Unpolished stones are far more mysterious. Firstly because they were almost found this way in nature and man has not added anything to its original beauty. Moreover as they are not polished and therefore not recognizable under the microscope, nothing can be discerned inside them ; they keep all their secrets to themselves. We can only know their origin by their external form. In fact all family stones grow in different way. Some in height, other spread on their entire surface at he same time. Whatever happens it is never a vulgar rock but an alive mineral.</p>
<p style="text-align: justify;">Since the earliest of my creations, I have always wanted to incorporate those raw gemstones into my collections. But quickly I found it difficult to set them. I am no a stone cutter I did not want to try and pierce them for fear of breaking them. and anyway I did not want to break their secret in forcing my was thought their heart.</p>
<p style="text-align: justify;">That I when I got the idea to put it in cages. With wire, I wove a web that follows as closely as possible the shape of the stone. I did not want to imprison it, so I had to choose a wire thick enough to support the stone, and thin enough for the eye to focus on the stone and not on its packaging.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'unpolished-stones',
			'locale' => 'eng',
			'title' => 'Unpolished Stones',
			'content' => '<p style="text-align: justify;">Unpolished stones are far more mysterious. Firstly because they were almost found this way in nature and man has not added anything to its original beauty. Moreover as they are not polished and therefore not recognizable under the microscope, nothing can be discerned inside them ; they keep all their secrets to themselves. We can only know their origin by their external form. In fact all family stones grow in different way. Some in height, other spread on their entire surface at he same time. Whatever happens it is never a vulgar rock but an alive mineral.</p>
<p style="text-align: justify;">Since the earliest of my creations, I have always wanted to incorporate those raw gemstones into my collections. But quickly I found it difficult to set them. I am no a stone cutter I did not want to try and pierce them for fear of breaking them. and anyway I did not want to break their secret in forcing my was thought their heart.</p>
<p style="text-align: justify;">That I when I got the idea to put it in cages. With wire, I wove a web that follows as closely as possible the shape of the stone. I did not want to imprison it, so I had to choose a wire thick enough to support the stone, and thin enough for the eye to focus on the stone and not on its packaging.</p>',
			'slug' => 'unpolished-stones'
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		'Page' => array(
			'id' => '30',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '1171',
			'created' => '2012-10-22 20:36:11',
			'modified' => '2014-12-18 09:47:50',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Wire Setting',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">I use gold plated or silver plated wire for all setting of stones, which I believe stronger than silver. The wire has a surface treatment that prevents tarnish, even if the silver takes a light patina over time.</p>
<p style="text-align: justify;">The hook collection stitches and cuffs, is realized with gold-plated and silver plated -in low grammage- with a surface treatment to withstand to the tip of the hook, and also to time, because silver does not tarnish, or turn yellow.</p>
<p style="text-align: justify;">Other design are made of gunmetal, which is a type of bronze, an alloy of copper, tin, and zinc, originally used mainly for making guns.</p>
<p style="text-align: justify;">I usually set the stones with individual&nbsp; wire that separate stones from each other. Besides from the fact that it brings solidity to the jewel, it also protects the stones that can no longer rub against each other. Rings are setted a bit differently, it is more like and embroidery only made of stones and pearls, and the same wire.</p>
<p style="text-align: justify;">All that is in direct contact with you skin is carefully selected so you do not get irritate or create allergies. All the earrings hooks and clasps in silver plated, gold plated or gunmetal is nickel free.</p>
<p style="text-align: justify;">However, I mostly use sterling silver and vermeil (sterling silver gilt) that is obviously completely safe to your skin.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'wire-setting',
			'locale' => 'eng',
			'title' => 'Wire Setting',
			'content' => '<p style="text-align: justify;">I use gold plated or silver plated wire for all setting of stones, which I believe stronger than silver. The wire has a surface treatment that prevents tarnish, even if the silver takes a light patina over time.</p>
<p style="text-align: justify;">The hook collection stitches and cuffs, is realized with gold-plated and silver plated -in low grammage- with a surface treatment to withstand to the tip of the hook, and also to time, because silver does not tarnish, or turn yellow.</p>
<p style="text-align: justify;">Other design are made of gunmetal, which is a type of bronze, an alloy of copper, tin, and zinc, originally used mainly for making guns.</p>
<p style="text-align: justify;">I usually set the stones with individual&nbsp; wire that separate stones from each other. Besides from the fact that it brings solidity to the jewel, it also protects the stones that can no longer rub against each other. Rings are setted a bit differently, it is more like and embroidery only made of stones and pearls, and the same wire.</p>
<p style="text-align: justify;">All that is in direct contact with you skin is carefully selected so you do not get irritate or create allergies. All the earrings hooks and clasps in silver plated, gold plated or gunmetal is nickel free.</p>
<p style="text-align: justify;">However, I mostly use sterling silver and vermeil (sterling silver gilt) that is obviously completely safe to your skin.</p>',
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PagesController::showMethodolog() - APP/Controller/PagesController.php, line 277
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Notice (8): Trying to access array offset on value of type null [APP/Controller/PagesController.php, line 277]
Code Context
            $this->set('robots_for_layout', $meta['Metadata']['robot']);
        }else {
            $this->set('title_for_layout', $page['Page']['title']);
$slug = 'feather'
$index_page = false
$page = false
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	'alias' => null,
	'link' => 'http://www.salomeosorio.com/fre/matieres-et-techniques'
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			'id' => '27',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '1167',
			'created' => '2012-10-05 12:07:51',
			'modified' => '2013-02-19 10:56:09',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Coral',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Coral is a primitive animal, close to the family of jelly that feeds on plankton. The coral grows several mm to several cm per year depending on the species. If some are solitary, most corals grows in an ecosystem called coral colonies. Oldest coral reefs back about 500 million years ago. As colonies, their longevity far exceeds that of quahog clams that can live more than 400 years.</p>
<p style="text-align: justify;">Even though there are many opposite example, corals generally grow in shallow warm seas. Thez indeed need oxygen and light to accomplish photosynthesis, and often stay in area where the sun's rays reach them easily.</p>
<p style="text-align: justify;">There are over 7000 species in very diverse forms and colours. I use the Black Coral, which feels like wood and is very light, Foam Coral, which is much less compact, like the fossilized coral stone by its density. I also use the classic red coral and the beautiful Mediterranean Coral, Example on the picture.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/08/le-corail/" target="_blank">More Details</a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'coral',
			'thumb' => 'uploads/pages/CORAIL.jpg',
			'thumbf' => 'uploads/pages/CORAIL_%dx%d.jpg',
			'locale' => 'eng',
			'title' => 'Coral',
			'content' => '<p style="text-align: justify;">Coral is a primitive animal, close to the family of jelly that feeds on plankton. The coral grows several mm to several cm per year depending on the species. If some are solitary, most corals grows in an ecosystem called coral colonies. Oldest coral reefs back about 500 million years ago. As colonies, their longevity far exceeds that of quahog clams that can live more than 400 years.</p>
<p style="text-align: justify;">Even though there are many opposite example, corals generally grow in shallow warm seas. Thez indeed need oxygen and light to accomplish photosynthesis, and often stay in area where the sun's rays reach them easily.</p>
<p style="text-align: justify;">There are over 7000 species in very diverse forms and colours. I use the Black Coral, which feels like wood and is very light, Foam Coral, which is much less compact, like the fossilized coral stone by its density. I also use the classic red coral and the beautiful Mediterranean Coral, Example on the picture.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/08/le-corail/" target="_blank">More Details</a></p>',
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			'id' => '32',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-11-02 01:08:29',
			'modified' => '2013-02-10 22:32:39',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Crochet',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Crochet is a weaving technique that is normally done with cotton or linen or any other natural fibbers. I learned about it on Portugal beaches, when my mother tried to teach me patience. I admit that I have never ended the top i had imagined, probably taken by other concerns. But the technique has remained.</p>
<p style="text-align: justify;">I called this new collection Interlace, as the movement of the wire. The mesh is made of non-tarnishing silver and gold plated. While I make the mesh with a specific hook, I incorporate small river pearls, black for the night collection, and white for the sunrise.</p>
<p style="text-align: justify;">Laces are made of a thin double mesh. The clasp is a large cultured pearl that slides in a loop stitch. The cuff are accumulation of simple laces, gathered around a large bead or stone. The rings are laces, hooked on themselves. They are all size, as the mesh easily adjust your finger.</p>
<p style="text-align: justify;">Do not hesitate to mix them together to create short necklace, put them in your hair or use it as a chain for an heavy pendant.</p>
<p style="text-align: justify;">Click&nbsp;<a href="../../../eng/contact" target="_blank"><strong>here</strong></a> to order a lace of the length of your choice.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'crochet',
			'locale' => 'eng',
			'title' => 'Crochet',
			'content' => '<p style="text-align: justify;">Crochet is a weaving technique that is normally done with cotton or linen or any other natural fibbers. I learned about it on Portugal beaches, when my mother tried to teach me patience. I admit that I have never ended the top i had imagined, probably taken by other concerns. But the technique has remained.</p>
<p style="text-align: justify;">I called this new collection Interlace, as the movement of the wire. The mesh is made of non-tarnishing silver and gold plated. While I make the mesh with a specific hook, I incorporate small river pearls, black for the night collection, and white for the sunrise.</p>
<p style="text-align: justify;">Laces are made of a thin double mesh. The clasp is a large cultured pearl that slides in a loop stitch. The cuff are accumulation of simple laces, gathered around a large bead or stone. The rings are laces, hooked on themselves. They are all size, as the mesh easily adjust your finger.</p>
<p style="text-align: justify;">Do not hesitate to mix them together to create short necklace, put them in your hair or use it as a chain for an heavy pendant.</p>
<p style="text-align: justify;">Click&nbsp;<a href="../../../eng/contact" target="_blank"><strong>here</strong></a> to order a lace of the length of your choice.</p>',
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			'id' => '33',
			'alias' => 'methodology',
			'status' => 'online',
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			'media_id' => null,
			'created' => '2012-11-02 22:26:50',
			'modified' => '2013-02-15 10:28:33',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Enamel',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Enamel is a wonderful technique that allows all the follies of shapes and colours. I learnt it for 2 years with the Art Workshop of Paris, and I practice it from the very beginning of my collections.</p>
<p style="text-align: justify;">The enamel is glass reduced in powder molten on a metal base. Glass is a fragile material but ally to metal it is very durable. To handle the volatile glass powder, it is mixed with water, which allow to put colours next to each other without getting mix.</p>
<p style="text-align: justify;">The enamel melt, depending of its colours, between 700&deg; and 900&deg;C, so it is customary to cook one colour after the other, according to their degrees of fusion. But as piece is cooked to many time, the metal runs out. Especially when the piece is small. I usually prefer to calculate an average temperature, which develops sometime some interesting texture effects, such as with a little under cooked, the enamel will have a rougher surface</p>
<p style="text-align: justify;">The metal can be copper, silver or gold. Copper is the metal that I use more easily, but the enamel on silver gives some intense blue-green tones, like water, and it seems that gold gives wonderful red. I sometimes incorporate silver leaf under transparent enamel, that makes the light and the reflection even brighter. Soon, I'll try the gold leaf.</p>
<p style="text-align: justify;">The shapes are cut with a saw in a thin metal plate of less than 1mm. I get the "trait" everywhere around, a newspaper or a 18th century compilation of silhouettes. Sometimes I hammer the pieces before enamelling, sometimes I prefer to keep the stiffness of the metal.</p>
<p style="text-align: justify;">There are two kinds of enamel : opaque colours, very fifties and transparent colours with a wider range of pastel. I mostly use opaque colours, maybe also because the transparent colours has to be placed on a specific enamel, which multiple manipulations.</p>
<p style="text-align: justify;">Compared to ceramic, cooking is extremely fast. Once the oven is hot, beautifully red, I put the piece in the oven. It stays for around 1 minute and comes out bright red for a few second. To prevent the glass to merge with the oven, I have to suspend the piece on a metal supports, sometimes leaving traces behind, called "marks of the kiln".</p>
<p style="text-align: justify;">Although it is usual to lay the enamel very thin, I like to put it in a thick layer, which increases the opaque colours and brings relief. Also some piece have a back slightly darker or much lighter. If this is not specified in the description of the jewel, it is that both sides are relatively equal.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'enamel',
			'locale' => 'eng',
			'title' => 'Enamel',
			'content' => '<p style="text-align: justify;">Enamel is a wonderful technique that allows all the follies of shapes and colours. I learnt it for 2 years with the Art Workshop of Paris, and I practice it from the very beginning of my collections.</p>
<p style="text-align: justify;">The enamel is glass reduced in powder molten on a metal base. Glass is a fragile material but ally to metal it is very durable. To handle the volatile glass powder, it is mixed with water, which allow to put colours next to each other without getting mix.</p>
<p style="text-align: justify;">The enamel melt, depending of its colours, between 700&deg; and 900&deg;C, so it is customary to cook one colour after the other, according to their degrees of fusion. But as piece is cooked to many time, the metal runs out. Especially when the piece is small. I usually prefer to calculate an average temperature, which develops sometime some interesting texture effects, such as with a little under cooked, the enamel will have a rougher surface</p>
<p style="text-align: justify;">The metal can be copper, silver or gold. Copper is the metal that I use more easily, but the enamel on silver gives some intense blue-green tones, like water, and it seems that gold gives wonderful red. I sometimes incorporate silver leaf under transparent enamel, that makes the light and the reflection even brighter. Soon, I'll try the gold leaf.</p>
<p style="text-align: justify;">The shapes are cut with a saw in a thin metal plate of less than 1mm. I get the "trait" everywhere around, a newspaper or a 18th century compilation of silhouettes. Sometimes I hammer the pieces before enamelling, sometimes I prefer to keep the stiffness of the metal.</p>
<p style="text-align: justify;">There are two kinds of enamel : opaque colours, very fifties and transparent colours with a wider range of pastel. I mostly use opaque colours, maybe also because the transparent colours has to be placed on a specific enamel, which multiple manipulations.</p>
<p style="text-align: justify;">Compared to ceramic, cooking is extremely fast. Once the oven is hot, beautifully red, I put the piece in the oven. It stays for around 1 minute and comes out bright red for a few second. To prevent the glass to merge with the oven, I have to suspend the piece on a metal supports, sometimes leaving traces behind, called "marks of the kiln".</p>
<p style="text-align: justify;">Although it is usual to lay the enamel very thin, I like to put it in a thick layer, which increases the opaque colours and brings relief. Also some piece have a back slightly darker or much lighter. If this is not specified in the description of the jewel, it is that both sides are relatively equal.</p>',
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			'id' => '34',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '2560',
			'created' => '2013-07-20 16:43:34',
			'modified' => '2013-07-20 16:57:57',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Feathers',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Feathers, all natural, are often dyed in flashy colours, but the shade of natural colour is very appeling also. I like to buy them in mixed lots, the whole art of this collection is to select the prettiest feathers, and to match them together by size, color or volume.<br /><br />The setting is very simple, the tip of the feather is warp tightly with a gold-plated wire, creating a small filletit that ends with a loop. I then hang the feather on a gold plated pierced hook, also available on request for non-pierced ears.<br /><br />Other styles of earrings, bracelets and necklaces are more sophisticated: mounted on sterling silver or vermeil (gold plated sterling silver) these feathers are highlighted by a rich setting with stones or pearls. For a night out !</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'feathers',
			'locale' => 'eng',
			'title' => 'Feathers',
			'content' => '<p style="text-align: justify;">Feathers, all natural, are often dyed in flashy colours, but the shade of natural colour is very appeling also. I like to buy them in mixed lots, the whole art of this collection is to select the prettiest feathers, and to match them together by size, color or volume.<br /><br />The setting is very simple, the tip of the feather is warp tightly with a gold-plated wire, creating a small filletit that ends with a loop. I then hang the feather on a gold plated pierced hook, also available on request for non-pierced ears.<br /><br />Other styles of earrings, bracelets and necklaces are more sophisticated: mounted on sterling silver or vermeil (gold plated sterling silver) these feathers are highlighted by a rich setting with stones or pearls. For a night out !</p>',
			'slug' => 'feathers'
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		'Thumb' => array(
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			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:17:49',
			'modified' => '2013-02-19 10:59:17',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Golden Leaf',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Gilding is a technique that my mother taught me when she created her collection for <a href="http://www.siecle-paris.com/listproduct-DECOUPAGE-all-0-1.html" target="_blank"><strong>Si&egrave;cle</strong></a>. I quickly liked to used this technique, at first only in addition to the enamel. This allowed me to add some finishing touches.</p>
<p style="text-align: justify;">When I was in Berlin, I discovered the Egyptians Jewellery Collections of the Pergamon Museum. And obviously fell in love with everyone of them. But went back to Paris without any ! I decided to re-imagine some.</p>
<p style="text-align: justify;">I cut strips of copper of different lengths and thickness that i fold, entangled, giving them a 3D shape , or turning them into origami. Then I cover the copper with extra thin sheet of silver, gold plated, or, soon gold 24ct.</p>
<p style="text-align: justify;">To secure the gold/silver leaves on the copper, i use a specific product, and then oil varnish to stop the oxidation of the silver and gold plated leaves. Without anything else for the gold.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'golden-leaf',
			'locale' => 'eng',
			'title' => 'Golden Leaf',
			'content' => '<p style="text-align: justify;">Gilding is a technique that my mother taught me when she created her collection for <a href="http://www.siecle-paris.com/listproduct-DECOUPAGE-all-0-1.html" target="_blank"><strong>Si&egrave;cle</strong></a>. I quickly liked to used this technique, at first only in addition to the enamel. This allowed me to add some finishing touches.</p>
<p style="text-align: justify;">When I was in Berlin, I discovered the Egyptians Jewellery Collections of the Pergamon Museum. And obviously fell in love with everyone of them. But went back to Paris without any ! I decided to re-imagine some.</p>
<p style="text-align: justify;">I cut strips of copper of different lengths and thickness that i fold, entangled, giving them a 3D shape , or turning them into origami. Then I cover the copper with extra thin sheet of silver, gold plated, or, soon gold 24ct.</p>
<p style="text-align: justify;">To secure the gold/silver leaves on the copper, i use a specific product, and then oil varnish to stop the oxidation of the silver and gold plated leaves. Without anything else for the gold.</p>',
			'slug' => 'golden-leaf'
		),
		'Thumb' => array(
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		'Page' => array(
			'id' => '28',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-10-05 12:20:14',
			'modified' => '2013-02-10 22:45:47',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Lapis Lazuli',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Lapis-Lazuli is a rock composed of several varieties of minerals in different proportions. Its colour is determined by the abundance of each of theses minerals in the rock fragment. There are Lazurite and Azurite for the colour ultramarine blue. Sodalite brings more of a blue-violet. The Ha&iuml;yne gives a touch of translucent blue ocean. And the calcite gives the stones its white veining.</p>
<p style="text-align: justify;">Another character of Lapis-Lazuli is to contain pyrite inclusions. Pyrite is a mineral species but made of sulfide iron, giving his famous golden sparks to the Lapis.</p>
<p style="text-align: justify;">Its use dates back to at least 7000 years. In ancient Egypt, Lapis was one of the favourite ornamental stones, including carving scarabs. The stone was also reduced in powder ; we then drank it as an aphrodisiac "potion" during the Roman era. Or mixed with milk in the Middle&nbsp; Ages, Lapis-Lazuli would warn the spirit of fear, doubt and envy.</p>
<p style="text-align: justify;">As a powder, Lapis-Lazuli was also used as a pigment for tempera painting, to paint the sky ceiling of the Sistine Chapel for a nice example. This practice ceased in the early nineteenth century by the introduction of synthetic pigments, sometimes called French Ultramarine.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">More Details</a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'lapis-lazuli',
			'locale' => 'eng',
			'title' => 'Lapis Lazuli',
			'content' => '<p style="text-align: justify;">Lapis-Lazuli is a rock composed of several varieties of minerals in different proportions. Its colour is determined by the abundance of each of theses minerals in the rock fragment. There are Lazurite and Azurite for the colour ultramarine blue. Sodalite brings more of a blue-violet. The Ha&iuml;yne gives a touch of translucent blue ocean. And the calcite gives the stones its white veining.</p>
<p style="text-align: justify;">Another character of Lapis-Lazuli is to contain pyrite inclusions. Pyrite is a mineral species but made of sulfide iron, giving his famous golden sparks to the Lapis.</p>
<p style="text-align: justify;">Its use dates back to at least 7000 years. In ancient Egypt, Lapis was one of the favourite ornamental stones, including carving scarabs. The stone was also reduced in powder ; we then drank it as an aphrodisiac "potion" during the Roman era. Or mixed with milk in the Middle&nbsp; Ages, Lapis-Lazuli would warn the spirit of fear, doubt and envy.</p>
<p style="text-align: justify;">As a powder, Lapis-Lazuli was also used as a pigment for tempera painting, to paint the sky ceiling of the Sistine Chapel for a nice example. This practice ceased in the early nineteenth century by the introduction of synthetic pigments, sometimes called French Ultramarine.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">More Details</a></p>',
			'slug' => 'lapis-lazuli'
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		'Page' => array(
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			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:31:45',
			'modified' => '2013-02-12 08:21:44',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Pearls',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Pearls are formed inside the shell of an oyster when a grain of sand (or any other structure) fits into the tissue of the oyster. The oyster is disturbed by this "irritant" and because it want to eject it easily, it secretes gradually layers of what it produce : mother of pearl. But with the only goal, that the irritant get big enough to spilt it back to the ocean.</p>
<p style="text-align: justify;">Thez say you can open 5000 oysters before finding a natural pearl.</p>
<p style="text-align: justify;">It is not surprising that the culture of pearl was quickly developed. Man helps them grow in farms managed by pearl farmers. Thez stimulate the creation of a pearl by inserting a core irritant by an almost surgical operation.</p>
<p style="text-align: justify;">It really began in the late 19th century in Japan, mainly with the researcher Kokichi Mikimoto. While his technique has enable the production of large quantities of pearls, it also helped to control the diameter of the pearl, determined by the size of the core he inserted into the tissues of the oyster.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/09/10/les-perles/" target="_blank"><strong>More Details</strong></a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'pearls',
			'locale' => 'eng',
			'title' => 'Pearls',
			'content' => '<p style="text-align: justify;">Pearls are formed inside the shell of an oyster when a grain of sand (or any other structure) fits into the tissue of the oyster. The oyster is disturbed by this "irritant" and because it want to eject it easily, it secretes gradually layers of what it produce : mother of pearl. But with the only goal, that the irritant get big enough to spilt it back to the ocean.</p>
<p style="text-align: justify;">Thez say you can open 5000 oysters before finding a natural pearl.</p>
<p style="text-align: justify;">It is not surprising that the culture of pearl was quickly developed. Man helps them grow in farms managed by pearl farmers. Thez stimulate the creation of a pearl by inserting a core irritant by an almost surgical operation.</p>
<p style="text-align: justify;">It really began in the late 19th century in Japan, mainly with the researcher Kokichi Mikimoto. While his technique has enable the production of large quantities of pearls, it also helped to control the diameter of the pearl, determined by the size of the core he inserted into the tissues of the oyster.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/09/10/les-perles/" target="_blank"><strong>More Details</strong></a></p>',
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		'Page' => array(
			'id' => '26',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-10-05 11:33:28',
			'modified' => '2013-03-25 13:30:16',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Resin',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">The rings and earrings bases are in silver or gold plated on free nickel metal. Small skits are made with plastic figures molded and hand painted. </p>
<p style="text-align: justify;">Thez are made for doll houses and characters and animals comes from train models. I often find them randomly, in sales and merchants : if a model pleases you, do no hesitate too long, it is unlikely that there will be another identical in the future.</p>
<p style="text-align: justify;">Small items are then linked together in a inexhaustible resin, sometimes on a sand base, or with leaves or pebbles. On other model i first tinted resin and then put figures "en sc&egrave;ne".</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'resin',
			'locale' => 'eng',
			'title' => 'Resin',
			'content' => '<p style="text-align: justify;">The rings and earrings bases are in silver or gold plated on free nickel metal. Small skits are made with plastic figures molded and hand painted. </p>
<p style="text-align: justify;">Thez are made for doll houses and characters and animals comes from train models. I often find them randomly, in sales and merchants : if a model pleases you, do no hesitate too long, it is unlikely that there will be another identical in the future.</p>
<p style="text-align: justify;">Small items are then linked together in a inexhaustible resin, sometimes on a sand base, or with leaves or pebbles. On other model i first tinted resin and then put figures "en sc&egrave;ne".</p>',
			'slug' => 'resin'
		),
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		'Page' => array(
			'id' => '23',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:40:36',
			'modified' => '2013-02-12 08:17:35',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Shells',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Traditionally, we distinguishes three types of shells : the univalve (one part), bivalves (two) and mutlivalves (several). The shell is born with its shell which grows along the animal. The mollusc shell is composed of calcium carbonate and organic matter secreted by the body.</p>
<p style="text-align: justify;">On my last trip to Bangkok I fell in love with a small shop of exotic (obviously) shells with perfect shapes and colours. I've instantly saw them hanging on my ears.</p>
<p style="text-align: justify;">This collection is only setted with black stones to highlight the subtle range of colours of the pearls. The wire that binds the stones together and the hook of the earring are made of <strong><a href="../../../eng/matieres-et-techniques/le-montage" target="_self">gunmetal</a></strong>.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'shells',
			'locale' => 'eng',
			'title' => 'Shells',
			'content' => '<p style="text-align: justify;">Traditionally, we distinguishes three types of shells : the univalve (one part), bivalves (two) and mutlivalves (several). The shell is born with its shell which grows along the animal. The mollusc shell is composed of calcium carbonate and organic matter secreted by the body.</p>
<p style="text-align: justify;">On my last trip to Bangkok I fell in love with a small shop of exotic (obviously) shells with perfect shapes and colours. I've instantly saw them hanging on my ears.</p>
<p style="text-align: justify;">This collection is only setted with black stones to highlight the subtle range of colours of the pearls. The wire that binds the stones together and the hook of the earring are made of <strong><a href="../../../eng/matieres-et-techniques/le-montage" target="_self">gunmetal</a></strong>.</p>',
			'slug' => 'shells'
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	(int) 9 => array(
		'Page' => array(
			'id' => '19',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '769',
			'created' => '2012-09-06 12:10:45',
			'modified' => '2013-02-19 11:06:12',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Stones',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">I have been fascinated by gemstone ever since I studied at the National Institute of Gemmology in Paris. First because I love their colours and because they cover the whole rainbow range, from transparent to opaque. Men can try all they want I don't see how we could ever reproduce the different spark of each natural stone.</p>
<p style="text-align: justify;">The other endearing point about gems is that you can trace part of its life just by looking through it. The crystals grow very slowly, and like us, sometimes the external elements disturb their cycle, as an earthquake create some gaping holes in the stone. Other inclusions adorn the stone advantage, such as the famous butterfly wing of the emerald that looks like an organized heap of dewdrops.</p>
<p style="text-align: justify;">Also when it grows, it absorb elements around, that we can identify after the stone is cut, and trace back when it came from.</p>
<p style="text-align: justify;">All the stones I use in my jewellery are natural stones. I use a very large variety of stones. I buy some on famous market in Thailand every two years and find other on Bijorhca Fair in Paris. Some stones are more difficult to find, especially the raw stones, but nowadays, with enough research&nbsp; and an internet connection, you can find everything !</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'stones',
			'locale' => 'eng',
			'title' => 'Stones',
			'content' => '<p style="text-align: justify;">I have been fascinated by gemstone ever since I studied at the National Institute of Gemmology in Paris. First because I love their colours and because they cover the whole rainbow range, from transparent to opaque. Men can try all they want I don't see how we could ever reproduce the different spark of each natural stone.</p>
<p style="text-align: justify;">The other endearing point about gems is that you can trace part of its life just by looking through it. The crystals grow very slowly, and like us, sometimes the external elements disturb their cycle, as an earthquake create some gaping holes in the stone. Other inclusions adorn the stone advantage, such as the famous butterfly wing of the emerald that looks like an organized heap of dewdrops.</p>
<p style="text-align: justify;">Also when it grows, it absorb elements around, that we can identify after the stone is cut, and trace back when it came from.</p>
<p style="text-align: justify;">All the stones I use in my jewellery are natural stones. I use a very large variety of stones. I buy some on famous market in Thailand every two years and find other on Bijorhca Fair in Paris. Some stones are more difficult to find, especially the raw stones, but nowadays, with enough research&nbsp; and an internet connection, you can find everything !</p>',
			'slug' => 'stones'
		),
		'Thumb' => array(
			'id' => null,
			'ref' => null,
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		'Page' => array(
			'id' => '29',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-10-05 12:26:04',
			'modified' => '2013-02-10 22:40:35',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Turquoise',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Turquoise has always been considered a stone of life and good fortune, with even healing properties. This opaque stone belong to the Feldspaths class, such as <a href="http://www.salomeosorio.com/admin/pages/editMethodology/" target="_self"><strong>Lapis-Lazuli</strong></a> ad Labradorite. It is composed of iron, copper, aluminium, phosphorous, hydrogen and oxygen. Turquoise absorb minerals that surrounds her, the blue colour comes from the copper, and iron oxide reacts by providing sometime a green tone, and also those black (can also be red) cracks drawing&nbsp; a kind a spider web.</p>
<p style="text-align: justify;">According to the Aztec, the Turquoise was directly associated with the sun. For the American Indians it was essential to the magic of wizards. Turquoise encourages also freedom of action and individual creativity.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">Plus de Details</a></p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'turquoise',
			'locale' => 'eng',
			'title' => 'Turquoise',
			'content' => '<p style="text-align: justify;">Turquoise has always been considered a stone of life and good fortune, with even healing properties. This opaque stone belong to the Feldspaths class, such as <a href="http://www.salomeosorio.com/admin/pages/editMethodology/" target="_self"><strong>Lapis-Lazuli</strong></a> ad Labradorite. It is composed of iron, copper, aluminium, phosphorous, hydrogen and oxygen. Turquoise absorb minerals that surrounds her, the blue colour comes from the copper, and iron oxide reacts by providing sometime a green tone, and also those black (can also be red) cracks drawing&nbsp; a kind a spider web.</p>
<p style="text-align: justify;">According to the Aztec, the Turquoise was directly associated with the sun. For the American Indians it was essential to the magic of wizards. Turquoise encourages also freedom of action and individual creativity.</p>
<p style="text-align: justify;"><a href="http://salomeosorio.wordpress.com/2010/07/01/le-lapis-lazuli/" target="_blank">Plus de Details</a></p>',
			'slug' => 'turquoise'
		),
		'Thumb' => array(
			'id' => null,
			'ref' => null,
			'ref_id' => null,
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		'Page' => array(
			'id' => '20',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => null,
			'created' => '2012-09-06 12:13:51',
			'modified' => '2013-02-12 10:58:00',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Unpolished Stones',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">Unpolished stones are far more mysterious. Firstly because they were almost found this way in nature and man has not added anything to its original beauty. Moreover as they are not polished and therefore not recognizable under the microscope, nothing can be discerned inside them ; they keep all their secrets to themselves. We can only know their origin by their external form. In fact all family stones grow in different way. Some in height, other spread on their entire surface at he same time. Whatever happens it is never a vulgar rock but an alive mineral.</p>
<p style="text-align: justify;">Since the earliest of my creations, I have always wanted to incorporate those raw gemstones into my collections. But quickly I found it difficult to set them. I am no a stone cutter I did not want to try and pierce them for fear of breaking them. and anyway I did not want to break their secret in forcing my was thought their heart.</p>
<p style="text-align: justify;">That I when I got the idea to put it in cages. With wire, I wove a web that follows as closely as possible the shape of the stone. I did not want to imprison it, so I had to choose a wire thick enough to support the stone, and thin enough for the eye to focus on the stone and not on its packaging.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'unpolished-stones',
			'locale' => 'eng',
			'title' => 'Unpolished Stones',
			'content' => '<p style="text-align: justify;">Unpolished stones are far more mysterious. Firstly because they were almost found this way in nature and man has not added anything to its original beauty. Moreover as they are not polished and therefore not recognizable under the microscope, nothing can be discerned inside them ; they keep all their secrets to themselves. We can only know their origin by their external form. In fact all family stones grow in different way. Some in height, other spread on their entire surface at he same time. Whatever happens it is never a vulgar rock but an alive mineral.</p>
<p style="text-align: justify;">Since the earliest of my creations, I have always wanted to incorporate those raw gemstones into my collections. But quickly I found it difficult to set them. I am no a stone cutter I did not want to try and pierce them for fear of breaking them. and anyway I did not want to break their secret in forcing my was thought their heart.</p>
<p style="text-align: justify;">That I when I got the idea to put it in cages. With wire, I wove a web that follows as closely as possible the shape of the stone. I did not want to imprison it, so I had to choose a wire thick enough to support the stone, and thin enough for the eye to focus on the stone and not on its packaging.</p>',
			'slug' => 'unpolished-stones'
		),
		'Thumb' => array(
			'id' => null,
			'ref' => null,
			'ref_id' => null,
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		'Page' => array(
			'id' => '30',
			'alias' => 'methodology',
			'status' => 'online',
			'extern_link' => null,
			'media_id' => '1171',
			'created' => '2012-10-22 20:36:11',
			'modified' => '2014-12-18 09:47:50',
			'i18n_title_fra' => null,
			'i18n_title_eng' => 'Wire Setting',
			'i18n_content_fra' => null,
			'i18n_content_eng' => '<p style="text-align: justify;">I use gold plated or silver plated wire for all setting of stones, which I believe stronger than silver. The wire has a surface treatment that prevents tarnish, even if the silver takes a light patina over time.</p>
<p style="text-align: justify;">The hook collection stitches and cuffs, is realized with gold-plated and silver plated -in low grammage- with a surface treatment to withstand to the tip of the hook, and also to time, because silver does not tarnish, or turn yellow.</p>
<p style="text-align: justify;">Other design are made of gunmetal, which is a type of bronze, an alloy of copper, tin, and zinc, originally used mainly for making guns.</p>
<p style="text-align: justify;">I usually set the stones with individual&nbsp; wire that separate stones from each other. Besides from the fact that it brings solidity to the jewel, it also protects the stones that can no longer rub against each other. Rings are setted a bit differently, it is more like and embroidery only made of stones and pearls, and the same wire.</p>
<p style="text-align: justify;">All that is in direct contact with you skin is carefully selected so you do not get irritate or create allergies. All the earrings hooks and clasps in silver plated, gold plated or gunmetal is nickel free.</p>
<p style="text-align: justify;">However, I mostly use sterling silver and vermeil (sterling silver gilt) that is obviously completely safe to your skin.</p>',
			'i18n_slug_fra' => null,
			'i18n_slug_eng' => 'wire-setting',
			'locale' => 'eng',
			'title' => 'Wire Setting',
			'content' => '<p style="text-align: justify;">I use gold plated or silver plated wire for all setting of stones, which I believe stronger than silver. The wire has a surface treatment that prevents tarnish, even if the silver takes a light patina over time.</p>
<p style="text-align: justify;">The hook collection stitches and cuffs, is realized with gold-plated and silver plated -in low grammage- with a surface treatment to withstand to the tip of the hook, and also to time, because silver does not tarnish, or turn yellow.</p>
<p style="text-align: justify;">Other design are made of gunmetal, which is a type of bronze, an alloy of copper, tin, and zinc, originally used mainly for making guns.</p>
<p style="text-align: justify;">I usually set the stones with individual&nbsp; wire that separate stones from each other. Besides from the fact that it brings solidity to the jewel, it also protects the stones that can no longer rub against each other. Rings are setted a bit differently, it is more like and embroidery only made of stones and pearls, and the same wire.</p>
<p style="text-align: justify;">All that is in direct contact with you skin is carefully selected so you do not get irritate or create allergies. All the earrings hooks and clasps in silver plated, gold plated or gunmetal is nickel free.</p>
<p style="text-align: justify;">However, I mostly use sterling silver and vermeil (sterling silver gilt) that is obviously completely safe to your skin.</p>',
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$meta = array()
PagesController::showMethodolog() - APP/Controller/PagesController.php, line 277
ReflectionMethod::invokeArgs() - [internal], line ??
Controller::invokeAction() - CORE/Cake/Controller/Controller.php, line 499
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 193
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 92

Warning (2): Cannot modify header information - headers already sent by (output started at /home/salomeos/www/lib/Cake/Utility/Debugger.php:797) [CORE/Cake/Network/CakeResponse.php, line 458]
Code Context
            setcookie(
                $name, $c['value'], $c['expire'], $c['path'],
                $c['domain'], $c['secure'], $c['httpOnly']
$c = array(
	'name' => 'CakeCookie[autoLogin]',
	'value' => '',
	'expire' => (int) 1731003634,
	'path' => '/',
	'domain' => '',
	'secure' => false,
	'httpOnly' => false
)
$name = 'CakeCookie[autoLogin]'
setcookie - [internal], line ??
CakeResponse::_setCookies() - CORE/Cake/Network/CakeResponse.php, line 458
CakeResponse::send() - CORE/Cake/Network/CakeResponse.php, line 429
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 174
[main] - APP/webroot/index.php, line 92

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